A View to a Kill is the last time this Bond will be in our sights.A former Bond girl and "Charlie's Angel" who was typecast for her physical attributes, actress Tanya Roberts became something of a cult icon thanks to feature roles in "The Beastmaster" (1982) and "Sheena: Queen of the Jungle" (1984), only to relegate herself to erotic thrillers that bordered on soft-core pornography in the early 1990s. Unlike Connery, Moore never said "never again", but, despite his fans' wishes, it's highly improbable that he'll ever come back for another engagement. These thrills and stunts are the real reason to see this film.Ī View to a Kill concludes Roger Moore's reign as 007 on a significantly higher level than itīegan (with Live and Let Die), leaving all that the actor brought to the role - both good (his sly charm) and bad (his fatuousness) - to posterity. There are conventional action sequences as well, including a car chase through Paris and several energetic fist fights. Trying to do a few things that haven't previously been attempted with Bond, A View to a Killįeatures a pursuit through the Eiffel Tower that ends in a death-defying leap, an out-of-control horse race, a road chase with 007 in a fire engine, and a struggle at the top of the Golden Gate bridge that has Bond fending off a blimp. This is one of the series' better pre-credits sequences, and provides a solid intro to Duran Duran's chart-topping title song. Inserting some forty seconds of the Beach Boys' "California Girls" as 007 zips down a mountain andĪcross a small pond. John Barry has a little fun with the music here, The film opens with a lively, fast-paced chase across a snowscape, with Bond using skis, a snowmobile,Īnd an improvised snowboard to escape his attackers. Locations include arctic Russia, Paris, and San Francisco. Bond is sent out to stop him, hoppingįrom Europe, where he's partnered with Tibbet (Patrick MacNee), to the United States, where he joinsįorces with geologist Stacey Sutton (Roberts, the only ex-"Charlie's Angel" to play a Bond girl). Walken plays Max Zorin, a brilliant-but-unstable industrialist who intends to corner the market onĬomputer chips by destroying Silicon Valley with an earthquake. Spectacular than ever, Christopher Walken is a chilling psychopath (a role he has become intimatelyįamiliar with over the years), and Grace Jones is viciously effective as his sidekick. Even though Moore sleepwalks his way through the part, making it apparent that he should have departed two filmsĪgo, and Tanya Roberts can't act to save her life (although she certainly can scream), we're back to a moreĬonventional, straightforward Bond than the convoluted mess of the previous movie. Opening the door for Timothy Dalton to take the role.Ī View to a Kill is often numbered among the worst of the series, but, upon closer inspection, thisįilm is a vast improvement over Octopussy. But all eras end, and A View to a Kill lowered the curtain on this one, While Moore's stamp on Bond was never as memorable as Sean Connery's, seven pictures and thirteen years gave him the time and opportunity to re-shape the British agent in his own image - something he did with the likes of The Spy Who Loved Me, Moonraker, and For Your Eyes Only - the bestĮntries of his tenure. Who portrayed Miss Moneypenny in all fourteen official movies from Dr. A View to a Kill represents the farewell bow of two long-time Bond film actors: Lois Maxwell,
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